Broadway

  • BEETLEJUICE ON BROADWAY: A REVIEW

    Seen November 16, featuring the Trisha Paytas casting that broke the internet and possibly the underworld. Broadway has always been a little haunted. Some theatres claim ghosts; others merely host them. But Beetlejuice doesn’t wait for spirits to wander in – it drags them onstage, shoves them under a strobe light, and hands them a mic. On

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  • Review of The Book of Mormon on Broadway – The Final Performance for Four Beloved Cast Members

    The night I attended The Book of Mormon was not just another show on Broadway. It was a milestone, a celebration, and a farewell. This particular performance marked the final bows for Cody Jamison Strand, Keziah John-Paul, PJ Adzima, and Lewis Cleale – with Cleale closing an incredible fourteen-year chapter as an original cast member in the role of Joseph Smith

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  • Review of Waiting for Godot on Broadway – October 25, 2025

    This production of Waiting for Godot arrived at a moment of personal resonance for me. It is one of my favorite plays. I often write in the absurdist tradition (my piece Funeral of god springs from that same space of uncertainty and strange humor) so I came with both affection and expectation. What I found was a

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  • Review of “The Great Gatsby” on Broadway – October 19, 2025

    The Broadway production of The Great Gatsby is a dazzling and heartfelt reimagining of Fitzgerald’s classic, blending roaring-twenties glamour with timeless emotional truth. I saw the show on October 19, 2025, and it was a night of remarkable performances, lush design, and surprising intimacy. While audiences eagerly anticipate Jeremy Jordan’s return to the role of Jay Gatsby, Ryan

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  • Review of “Art” on Broadway – October 19, 2025

    Yasmina Reza’s Art remains one of the most incisive and rewarding plays ever written about friendship, pride, and perception. The current Broadway revival, which I attended on October 19, 2025, was nothing short of extraordinary. What begins as a simple argument over a white-on-white painting evolves into a riveting and hysterical study of how fragile

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