-

Building Narrative Weight from Seemingly Mundane Objects There is a particular kind of arrogance that arises during early drafts, where we playwrights believe our themes will be obvious because we’ve written them in capital letters and made two characters argue about Nietzsche in the rain. They won’t be. What audiences remember – what they feel –…
-

Dramatic Archetypes in the Legal World – and How to Counter Them Litigation, for all its procedural decorum, is theatre. There’s a script (your pleadings), a stage (the courtroom), a captive audience (jury or judge), and, most importantly, characters. Now, some attorneys enter the courtroom like extras in a background deposition scene – unmemorable, beige,…
-

by Brian S. Brijbag, Esq. Every night, they came in droves – leathered, liquored, spiritually limber. Stadiums shook with the seismic sincerity of 80,000 people pretending they weren’t pretending. But in Section A, Row 12, upstage left of the main screen, just above the fourth subwoofer, there lived a pixel. A single, glowing, tremoring green pixel. It…
-

Love. Grief. Forgiveness. Time. The guy in the subway shouting about pineapples. The law demands order. The theatre invites chaos, serves it wine, and asks it to monologue. I live in both. One world expects exhibits, redactions, and polished shoes. The other celebrates gnomes on trial and emotional breakdowns that rhyme. But there are a…
-

By Brian S. Brijbag, Esq. There’s something magical — and maddening — about the one-act play. Too short to waste time.Too long to just be a scene.Too finite to wander.Too powerful to be dismissed. A great one-act doesn’t feel like a short play. It feels like a complete world — one that opens, cracks, burns, and closes in…
-

Because You Deserve a Meal That’s Done Before You Start Questioning Life Choices You’ve had a long day. Maybe you’ve been writing closing arguments.Maybe you’ve been arguing with fictional characters in a draft.Maybe you’ve just been existing, which is hard enough. And now it’s 6:43 p.m. and your fridge has ingredients but no promises. Let me…
-

By Brian S. Brijbag, Esq. In one of my plays, a married couple is trapped in their Florida kitchen during a hurricane. Power’s flickering. A stranger named “Florida Man” has barged in. And sitting on the counter – unassuming, innocent, shimmering with citrus significance – is the last slice of key lime pie. It’s just a…
-

By Brian S. Brijbag, Esq. I’ve stood in courtrooms, neck deep in depositions, cross-examinations, and medical exhibits — building arguments on logic, precedent, and pain. And I’ve also stood on stage in a community theater, wearing eyeliner and shouting about cursed pies and funeral rehearsals for divine absences. This used to confuse people.Honestly, it used…
-

By Brian S. Brijbag, Esq. I am beyond excited and deeply honored to announce that two of my plays have been officially selected for performance at the 2025 Tampa Bay Theatre Festival (TBTF)! 🎭✨ Out of a competitive field of submissions from across the region and beyond, both a dramatic and a comedic piece I’ve written were chosen…
